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EXHIBITIONS Winter/Spring 2006

Exhibits take place in Squeaky Wheel's Cinema @ 712 Main Street, Buffalo, NY 14202
$4 members / $5 non-members (unless otherwise noted)

Major funding for Squeaky Wheel's screenings is provided by the Experimental Television Center's Presentation Funds program, which is supported by the New York State Council on the Arts.

JANUARY

Winter 2006 Instructors Show & Open House
Friday, January 13th @ 7:00 PM
Cost: Free


The Instructors Screening & Open House will be a fun-filled evening of films, videos, installations and presentations to launch Squeaky Wheel's winter/spring season of media arts workshops. The Open House, beginning at 7:00 PM, will provide opportunities to tour Squeaky Wheel, meet and chat with our award-winning group of teaching artists and learn about the workshops we have coming up. At 8:00 we will begin the screening which will feature documentary, animation and experimental media work by Squeaky Wheel instructors including Dorothea Braemer, Brian Milbrand, Vincenzo Mistretta, J.T. Rinker, Jamie Phelan, Tammy Wetzel, Z. Mann Zilla, Julie Perini, Liz Knipe and Joanna Raczynska. Visit our workshops page to see a schedule of upcoming workshops.

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FEBRUARY

Love & Sex: The Peepshow
Saturday, February 25th @ 8:00 PM - 2:00 AM
Cost: $15 per person

   Love & Sex - the Peepshow is Squeaky Wheel's biggest love & sex themed art party ever! The hotel's 8th floor will be dedicated to installation art from local, national and international artists. In the banquet room there will be a peepshow-themed screening, a silent auction of cutting-edge art and other very exciting prizes. Plus cool music, drinks, performances and much more. $15 per person. 8pm - 2am.

Artists who are interested to participate in the Peepshow at the Lenox please submit your love and sex-themed performance and art installation proposals for projects in 12' by 14' hotel rooms. We are looking for artwork that explores love and sexuality from political, social, historical, gender, or erotic perspectives. Send one-page proposals (as a word document or pdf) with complete contact information (name, telephone, address, e-mail) to:
dorothea@squeaky.org or mail to:

Squeaky Wheel
Attn: Peepshow
712 Main Street
Buffalo, NY 14202
Deadline for proposals is Tuesday, January 24, 2006, 7 pm.

Feel free to contact us if you have any questions.

Artists who are interested to submit their single channel videos (5 minutes or less) please send to Squeaky Wheel by February 15.

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MARCH

Local Access Residency Screening
Friday, March 3rd @ 8:00 PM


Local artists Jax DeLuca, Hettie Kauffmann & Andrew Wurl present new work made during their residency at Squeaky Wheel. The purpose of the Local Access Residency Program is to provide free access to media technology to committed media artists with vision, who lack sufficient resources and funds, no matter where they are in their media careers. DeLuca will show a piece that documents a series of public performances based on repressed daydreams, fantasies and delusions in order to integrate aspects of the private "dream" self into the public world. Kauffmann's single channel video, All That Dazzles, parallels the idea of how a kind of mass media engine can divide and control the flow of information to a mass audience. Wurl will show two new works, including an animation and a short video on semantics. The next deadline for applications is June 16, 2006. Visit our opportunities page to learn more about this residency program or to download an application.

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Lamb or Lion Open Screening
Wednesday, March 8th @ 8:00 PM
Cost: Free


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Louis Massiah
Friday, March 10th @ 8:00 PM


Mr. Massiah is the founder and executive director of the Scribe Video Center in Philadelphia, a media arts organization that provides low-cost workshops and equipment access to emerging video and filmmakers and community organizations. He is an independent filmmaker who has produced and directed a variety of award-winning documentary films for public television. Known for his explorations of civil rights themes and crises in the African-American community, his credits include two films in the Eyes on the Prize II series and The Bombing of Osage Avenue, about the burning of a black section of Philadelphia as a result of the police bombing of the headquarters of the group MOVE. He is also the director of W.E.B. DuBois: A biography in Four Voices. Massiah has received awards from the Corporation for Public Broadcasting, the the National Black Programming Consortium, the Pennsylvania Association of Broadcasters, the Black Filmmakers Hall of Fame and several Emmy award nominations. In 1996, he was a recipient of a five year John D. and Catherine T. MacArthur Foundation fellowship.

On March 10, Louis Massiah will show The Bombing of Osage Avenue, the Precious Places Community History Project, and Louise Alone Thompson Paterson: In Her Own Words. The Precious Places Community History Project is a community history project conceived by Scribe as a way for neighborhood residents to document the people, buildings, public spaces and landmarks that hold the memory of a community and define where we live. Louise Alone Thompson Patterson: In Her Own Words (18 min./Color/2002) is a documentary tracing the life and times of Louise Alone Thompson Patterson, a civil rights and labor activist who was dubbed “Madame Moscow” for her role in America’s communist movement.

Funding for this event provided in part by the University at Buffalo Dept. of Media Studies Graduate Club, UB Dept. of Media Study Programming Committee, UB Center of Urban Studies and the UB Samuel Capen Chair in American Culture.

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Chain (2004/5, 99:00, 16mm)
w/ Filmmaker Jem Cohen in person

Friday, March 31st @ 8:00 PM & 10:00 PM
Location: Hallwalls Contemporary Art Center (341 Delaware Ave)
Co-presented by Hallwalls Contemporary Art Center

As regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are. In CHAIN, actual malls, theme parks, hotels and corporate centers worldwide are joined into a monolithic "superlandscape" that shapes and circumscribes t he lives of two women. One is a businesswoman researching the international theme park industry for her home company. The other is a young drifter, illegally living and working on the fringes of a shopping mall.


Director's Statement:
CHAIN was shot, primarily on 16mm film, over seven years, using a bare-bones crew or no crew at all.

I began by making a decision to focus on the corporate and commercial landscapes that I had previously "framed out" in my filmmaking, and to try to understand how these places were affecting the people within them. The subject seemed simultaneously banal and neglected. Wal-Mart, for example, opens a new store roughly every two days. (it was every four days when I began the project) and yet the actual sites of such developments often take on a strange invisibility. Their presence can begin to seem not only normal but inevitable. Rather than examining this phenomenon through the facts, experts, and arguments of the traditional documentary, CHAIN tells the stories of two women as this environment shapes their lives.

Jem Cohen is a New York-based film- and videomaker. Often shooting in hundreds of locations with little or no additional crew, Cohen collects street footage, portraits and sounds. The projects built from these archives defy easy categorization, thriving on the collision between documentary, narrative and experimental approaches.

Funding for this event provided in part by University at Buffalo Dept. of Media Studies Graduate Club and UB Dept. of Media Study programming committee.

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APRIL

In A Nutshell: A Portrait of Elizabeth Tashjian (2005, 80:00, DV)
w/ Filmmaker Don Bernier in Person
Saturday, April 1st @ 8:00 PM

Don Bernier has been making both experimental and documentary media work since the early 1990s. A Maine native, Bernier received a BFA at Kansas City Art Institute before going on to earn a graduate degree in Media Study at SUNY-Buffalo in 1994.

From 1994 to 2001, Bernier taught media production and theory in colleges and community-based technology centers in western New York, the San Francisco Bay Area and greater Boston. Throughout this period, Bernier continued to make installation and time-based artwork which has been exhibited across North America.

In late 2001, Bernier and his wife Tina Erickson, relocated to New York City, to focus more on documentary film and video production. On April 1st Don Bernier will screen his latest documentary, In A Nutshell.

In A Nutshell chronicles the unique life of Elizabeth Yegsa Tashjian: at birth in 1912, a first generation American of aristocratic Armenian immigrants; at age nine, a concert violinist living on Manhattan's upper west side; at twenty-one, an award-winning classical painter studying at the National Academy of Design in New York; at age forty-seven, a devoted Christian Science healer; and, at the youthful age of sixty, creator of the one and only Nut Museum. Today, at ninety-two years old, Tashjian has found herself immersed in a strange new chapter of her prolific life. After a series of tragic events surrounding her health and finances, she is now penniless and confined to a nursing home against her will. The contents of the Nut Museum have been permanently removed and her beloved home has been sold to the highest bidder. Declared insane by her state-appointed conservators, Elizabeth Tashjian is fighting to preserve her identity and regain the life she has built.

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Listening Glass (2004)
by Rene Christen and Jasper Streit

Interactive Installation, April 14 - May 19 @ Squeaky Wheel
Opening Reception: Friday, April 14th, 7:00 - 9:00 PM


Created by Australian electronic artists Rene Christen and Jasper Streit, Listening Glass is a digital life form that feeds on the sound waves and kinetics of the collective public. As people pass the work it engages in 'conversation', responding to the noises passersby emit.

The work pulsates with the collective pulse of the public. Like a DNA donation to the evolution of the entity, affecting the work in such a way that it becomes unique through the interminable interaction specific to its location.

The absorption of the sound is much like the process of osmosis, where the soundscape of the work reflects fragments of the 'physical world'. the fragmentation of the incoming sound is important to the aesthetics of the soundscape, where the physical world sound is "frozen", re-arranged, stretched and pitched; the original altered, yet still discernible.

The sonic intensity of the public also feeds the 'pixel cells' growing on the digital plane building up to a critical mass appearing as visual white noise. It consists of all frequencies at once, the saturation that is the opposite of emptiness.

Springtime Open Screening
Wednesday, April 12th @ 8:00 PM
Cost: Free


Funginii
Saturday, April 28th @ 8:00 PM

Funginii defines a race of woodland magical entities that reside on the forest floor and are best known for their raucous activities, which include the infusion of imaginative possibilities into the otherwise quotidian evening hours. They hold incense in Mayan structures. They place your car keys in strange places. As an image, Funginii explores verbo-visual improvisational ensemble performance score for voice and instruments. Words and Music by Don Metz and Michael Basinski. Visuals by Brian Milbrand and Tom Holt.

BuffFluxus is an exploratory word/music performance ensemble that honors the tradition of imaginative and innovative text and score anchored performance. And sometimes don't.

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MAY

Mothers Open Screening
Wednesday, May 10th @ 8:00 PM
Cost: Free


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Global Super 8 Day
Sunday, May 14th @ 8:00 PM



Free to participating artists! Our annual screening of Super 8 films from Buffalo and around the world. Submit your own super 8 movies that are five minutes long or less (contact us if you want to show a longer film) - home movies, found movies, old movies, but most especially new movies welcome! Deadline for submission of entries is Thursday, May 11th.

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PAST EVENTS



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LINKS
Also check out upcoming media arts events and opportunities at these other organizations:

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